FASCIST ART

Truth manifested through Art.

YPERVOREIA -WOLFNACHT ALBUM REVIEW

Ypervoreia is the 7th full album released by Wolfnacht, which is one of Hellas’ most notorious one-man NSBM (National Socialist Black Metal) projects. It’s fronted by Athalwolf, who is a veteran in the Greek NSBM scene – he was behind numerous one-man projects, Zofos and Wolfnacht being the most famous. He is also known for his work as a session/live drummer for another of Hellas’ most famous NSBM acts, Der Stürmer.

In the early years of Wolfnacht, he played a healthy mix of RAC (Rock Against Communism) and NSBM, although the RAC influence is almost entirely gone at this point. Wolfnacht’s early works were in German, which slowly transitioned into English. This album, Ypervoreia is almost entirely in English, save for several verses and the track “Ypervoreia Acropolis”, which is in Greek.

Ypervoreia is Wolfnacht’s first concept album telling the story of a group of SS soldiers who are tasked with finding the mythical land of Hypervoreia. The story keeps the listener captivated as the soldiers make their way and arrive to the fabled land. You can image yourself riding the waves, braving the storms, and moving through the coldest reaches of the world to reach Hypervoreia.

The album comes with a booklet containing the English lyrics, but sadly the Greek lyrics were not included. Inside the booklet one will also find artwork of SS troops, a Kriegsmarine, and Greek architecture on the last two pages. The CD case also comes with a “thank you” note to the German authorities, for their decision to ban previous Wolfnacht albums.

The album pulls no punches. Right from the beginning of “Chasing Chimera” you get screaming rasps to kick off the album. You can envision the gloomy weather in which the soldiers are preparing to set sail. The first Greek verses rear their head during “Entrance to the Frigid Zone,” followed by the groovy “Surrounded by Fimbulwinter,” with an acoustic intermission, which are present throughout the album. The drum solo is joined by the distorted spoken word on “Penetrating the Cosmic Bonds,” creating a contrasting calm. The stand out “Ypervoreia Acropolis” is a hybrid of Ancient Greek music reminiscent of the Hymns to Apollo, mixed with black metal. “Isle of the Blessed” describes what wonders are to be seen in the land of Hypervoreia, which leads to the journey’s end, “At the Threshold of Madness.”

The album is full of atmosphere that transports the listener to the ends of the world: the music sets the tone of crushing waves and blistering winds at the journey’s onset, to the land of Hypervoreia itself and the captivating final moments of the story, where the SS troops find what awaits them.

Athalwolf certainly isn’t lacking when it comes to his musical ability. He’s proficient at everything he plays. There are no weak spots where he compensates one instrument over the other. Those who know of his previous works will enjoy the familiar sounds found on Project Ordensburg and Zeit der Cherusker. The bass guitar is present throughout the album, which is very similar to the bass work of Project Ordensburg. The lyrics are very audible and easy to comprehend even to those who are unfamiliar with metal. The blatant NS lyrics that are commonplace, do not appear on this album, with the very few mentions of the SS, swastikas, and U-Boats. The drum work is great as always, with the trudging mid-paced guitars setting the vibe of the album. The 4 year gap between releases has really allowed Athalwolf to polish the little details.

This is definitely an album I’d suggest even for those not usually into NSBM. The atmosphere is great, the story is enjoyable, and it certainly was worth the long wait between releases. This is likely one of Wolfnacht’s most accessible albums, which could be a nice starting point for one’s own journey to become familiar with NSBM. The official sample track for the album can be found here:

The album can be purchased in North America via Behold Barbarity, which offers decent shipping for our friends down under and in Europe through Christhunt Productions.

Review sent in by Another American

INTERVIEW: RIGHT WING DEATH SQUAD ENTERTAINMENT

RWDSent

NOOSE magazine has arranged an exclusive interview with youtube music outlet Right Wing Death Squad. RWDS brings a fresh new approach to far-right music, donning a pop aesthetic while setting a high standard for production values and technical execution.

What was the process which led you to your current beliefs and convictions? Any specific events that changed the way you look at things?
Zeiger

I have always been mildly politically engaged, but my beliefs never strayed too far from a center-right position. This changed shortly after watching streams of the Ferguson riots (around August 2014) and especially now after the migrant crisis in Europe. What really stoked my fire was the ridiculous reaction of the media and the general populace, and how tame and misguided it seemed in reaction to these incredibly troubling events. There have been plenty of other events like this in my lifetime, but these two affected me the most.
Right Wing Death Squad

What gave you the idea for this project? How did you start doing these parody songs?
Zeiger

I’ve been writing music and singing for most of my life, so that part was already there. One day, I heard a Youtube user’s parody song called “Blink 1488 – All The Rapefugees” and although it was incredibly hilarious, I wanted to do a more serious sounding version of my own. I contacted him (Flimzim) and he said he was totally fine with it, and I ended up turning it into an album of Blink 1488 songs. I have since recorded and released 19 parody songs from various genres and artists, and I have about just as many in the works.
Right Wing Death Squad

The production quality on your material is extremely impressive. Do you have a professional background or was this ever only a hobby? If so how did you learn?
Zeiger

I am self-taught, and I’ve been using the same DAW [ed: digital audio workstation] for over 10 years now so the production side comes naturally. Music in general has always been a passionate hobby of mine, but I’m hoping that RWDS can turn into something serious so that I can start focusing all my time on creating content.
Right Wing Death Squad

Can you talk to us a bit about your creation process? How do you choose the songs to cover, and where do you get inspiration for your lyrics? Also, what software and equipment do you use and recommend for other aspiring musicians?
Zeiger

For the covers, choosing the songs is the most complex part of the process. It mostly stems from my own tastes in music, but I also consider how the tone of the song will help carry the message and how the listeners will receive it. The singer and their style of singing has to at least somewhat fit my voice. The topics I choose usually emerge from the existing lyrics and manifest themselves from there, although sometimes I do scrap the original lyrical concept if I have a specific topic in mind. As far as equipment goes, believe it or not, I’ve been using a $30 Logitech headset to record all of my vocals so far, so if I had a message to other artists it would be to not be afraid to start small. I recently ordered a Samson USB Meteor Mic (still a pretty cheap mic), and although I haven’t tried it out yet, I’m certain that the quality of my production is only going to increase as I keep releasing content. As far as recommending software goes, this all depends on your level of experience and which software fits your needs. Everyone is going to have their own unique setup, and it’s best to just experiment with what works best for you.
Right Wing Death Squad

Right now pretty much all music produced in fascist and nationalist circles is hard core and abrasive. Nothing approaching the mainstream. Yet you cover a lot of material with mainstream appeal and a catchy quality to it. What gave you the idea to make pop-style nationalist music, and is this something you’d encourage others to do?
Zeiger

I think it’s important that we don’t confine ourselves to one type of music. We shouldn’t hide away from mainstream culture, and instead it should be our prime focus to take it back. Making this catchy pop music with the pro-white message is, at least in my mind, a good way to go about that. I’m also dipping into abrasive genres like metal, but that’s because I love heavier music and I think that the metalheads of our movement shouldn’t be denied their fun. Over time I’m going to hit as many different genres as I possibly can, while making sure that it still suits the level of quality I’m going for with RWDS.
Right Wing Death Squad

Your channel is devoted to parodies of existing songs. Are there original pieces in the works? If not, is that something you contemplate for the future?
Zeiger

I absolutely plan on writing my own music. I have the instruments, but I’ve been saving up for a new digital input so that I can record my own stuff. With that said, I’m having a lot of fun doing parodies right now, so I think once I finish everything I’ve wanted to get out of my system, I’ll focus on writing my own music so that I can actually sell it and distribute physical copies.
Right Wing Death Squad

A few of your most recent songs have had a very heavy sound. Do you intend to branch more towards that direction, or are you rather committed to exploring a variety of different styles?
Zeiger

I am 100% committed to exploring new genres, but it will follow my own tastes in music, which I think will help to continue differentiating myself from other content creators.
Right Wing Death Squad

Are you affiliated with any group or movement (which you’d like to plug)? Are you active in any online community?
Zeiger

In the same way that I don’t want to confine myself to one type of music, I’m going to do my best to keep my message separate from specific groups. I did write my most recent piece from the perspective of the alt-right, but I want to make it clear that when I write songs like that, I’m not trying to be that community’s spokesman. I wrote that track because someone (Milo) was trying to subvert that community and redefine what had (from my understanding) already been defined. As a content creator just trying to push out the best message for my people, I think that confining myself to one space would be counter-productive. The message will always be pro-white and pro-European, but the angle I approach it from will be varied depending on how I feel like writing that day.
Right Wing Death Squad

Any other comments or message for the readers?
Zeiger

Although the general movement I’m trying to help push forward is one that is serious and somber, I want my fans to have fun with my music. I’m having fun with it, and at the end of the day, I’m just trying to help create content to help people see inside a mind that is dealing with being a white male in the current year.
Right Wing Death Squad

Support RWDS on his Patreon page.

OMNIPHI MEDIA EXCLUSIVE INTERVIEW

omniphi

In our struggle visual presentation and aesthetics had always played a big role, though in recent history there has been a significant shortage of talented people to produce quality work, with only the music scene maintaining its vigor. The situation on the British scene serves as a good example of how bad things have gotten with visual propaganda until the appearance of National Action, who’ve pointed out this very issue in one of their early materials and later on set a high bar for quality propaganda. It is harder still, however, to find people talented in the art of the moving picture – there’s certainly pleanty of people with good basic editing skills but few who’d take it to the next level. Today we’re conducting an exclusive interview with someone, who just like National Action, set a high bar with his amazing work in this field – Omniphi Media.

Hello Omniphi, thank you for your time. To start off, let’s make it clear to everyone: are you a National-Socialist/Fascist? How exactly did you find yourself on this path?
Hangman

I subscribe to the Americanized National Socialism set forth by George Lincoln Rockwell and Dr. William L. Pierce. When I was in the 8th grade our English teacher had a unit on the “Holocaust” and I was curious to hear the National Socialist’s motivations for their actions but couldn’t find the other side of the story in any main stream media or from my teachers. So I turned to a friend of mine who was a self proclaimed Fascist/NS and he pointed me towards the work of William Pierce and David Duke and a lot of other information in regards to WW2, The Third Reich, Eugenics, Race, and the Jewish Question.
Omniphi

So what came first, Omniphi the Nazi or Omniphi the aspiring video editor? Were you a Nazi who had to learn how to produce great videos for the cause or were you someone with a hobby and a talent and decided to put it to use in our struggle once you’ve come to share our Worldview?
Hangman

It was the latter. A few months after becoming red pilled I had some interest in game development to get a Pro-White video game out there since we didn’t have anything besides Ethnic Cleansing or ZOG’s Nightmare. At some point it got frustrating and I wasn’t getting the results I wanted so I took up video editing for an organization called Aryan Legacy at that time. A contact of mine had also commissioned me to make a series out of Cosmotheism Trilogy, and I later re-released the series under Omniphi when AL disbanded.
Omniphi

Who or what serves as your inspiration for making videos?
Hangman

In my initial awakening to a lot of these issues the videos of Ares and Norsewolf were also quite influential. People have told me it shows and some have even thought that I’m Ares with a new channel (how flattering!) I also watch ОКеям Нет for inspiration when it comes to aesthetics and technique, though I’m not the biggest fan of Putin.
Omniphi

It’s highly likely that you are the best out there, among people with our worldview, when it comes to video editing. Was this just an interest that you developed on your own or do you have any formal introduction and education in this field?
Hangman

This was just an interest I had picked up toward the end of my Sophomore year looking up tutorials on youtube. I don’t have a formal education on this but I’ve picked up a few books and online courses that go into composition, color, photorealism, etc that will give your work a more polished touch.
Omniphi

Could you possibly take us through your process of making one video from conception of the idea for a video to when you click “Publish video” on YouTube?
Hangman

My workflow starts with trying to find some work of prominent Racialist figures that resonates with me and imagining how that work work when captured with an animation. After that I start compiling imagery and brainstorming scenery I want to capture that will fit with what’s said. Then I actually go into After Effects and make the graphics and edit. From there I’ll make a soundtrack to go with it. Finally I’ll send it to a few friends for constructive criticism in case I’ve missed anything, when you work on anything for an extended period of time it’s easy to feel attached and get tunnel vision so an external opinion is quite useful at times
Omniphi

Are you formally a member of any group or movement, or do you work completely independently?
Hangman

In the past few years I’ve actually been associated with several groups to get our message out there. I see it as advantageous to work with multiple groups because in the event that my platform were to be censored by our chosen friends I can still get more videos out there. It can be as exhausting as it is rewarding.
Omniphi

Would you join an organization if one that seemed legit were to appear or would you rather carry on as the ‘Lone Wolf‘ of video propaganda?
Hangman

I enjoy working with organizations 😉
Omniphi

What tips or suggestions would you give to any video editing enthusiasts in our ranks? Also could you share with our readers exactly what software you use yourself?
Hangman

I use the Adobe CS6 collection which will give you photoshop, AE, and other useful tools for video production. Techrodd and VideoCopilot have great tutorials that will quickly get you started in VFX.
Omniphi

Maybe you’d be willing to share with our readers what to expect from you in the future, like your next 3 videos?
Hangman

I don’t usually announce future projects just in case there’s a technical issue or something else comes up. But the next Omniphi videos in queue are one from a portion of Wilmot Robertson‘s Dispossessed Majority, and another on White Guilt. I’ve also got a few going at once for other platforms that I’ll share on social media when they’re out.
Omniphi

Where do you go from here? Do you plan to just keep going as you do now or are there any plans for some kind of expansion? Can we expect an NS nemesis to jew-infested Hollywood in the form of “Omniphi Studios” down the road?
Hangman

For now I plan to keep putting videos out there for Omniphi Media and other platforms but next year I’m going to university for Computer Science. Programming is going to be a useful career for a lot of us in the cause and it helps that it pays damn well too. In the future it would be nice to expand into a company that produces media of the highest quality that promotes the culture and heritage of our people.
Omniphi

Once again, thank you Omniphi for giving us this exclusive interview, hopefuly your words of encouragement, suggestion and tips will serve to inspire more people to step up their game and produce more high quality visual propaganda for the cause.
Hangman

Thanks for having me, hails!
Omniphi

OMNIPHI MEDIA
WEBSITE | TWITTER | YOUTUBE

HARDSHIP

odinpainting
Art Submission – “Hardship” by Odin

“Struggle and hardship is a part of every victory, and every step we take. Throughout history and into the future struggle has and will be with us, it will only make us stronger and we must remember all who died for Fascism.”

Hardship” is a painting submitted by Odin of the Atomwaffen Division.

‘A SQUIRE’S TRIAL’ PUBLISHED

“Would you truly consider him mad who’d want to revive chivalry?”
“Would you truly consider him mad who’d want to revive chivalry?”

“Encounter of a lifetime comes around exactly that often – only once in a lifetime, and it can change everything. Some people miss their chance completely, perhaps without even realizing what it is that they have missed, while others waste no time in seizing the moment and enjoy the rewards.

And can there be any greater reward than realizing that there is a whole other horizon stretching out before us all, that lays obscured by a bleak man-made scenery?”

A Squire’s Trial” is a ‘Greek dialogue’ framed in a  fictional story, retelling the encounter between an average person and a Fascist during the course of which the Fascist worldview is unraveled in the simplest terms possible.

Based on a real conversation, edited and reworked to create the characters of Don and his newfound friend, infused with symbols, hints and quotes, this story was written with the intention of becoming the perfect way to introduce someone to Fascism in broad strokes.

Check it out for free and if you liked it or would like to support IronMarch and all of its projects, including NOOSE, buy it now on Lulu .

FAUST’S MACHINE

faustsmachine

We didn’t really know how it was created – the enormous machine that with it’s massive cogs, as large as skyscrapers towered above everything else. Everything it turned into it’s image – men, women and children – and gave them everything they needed to survive. The Indian girl upon the American steppes became in The Machine, a creature with a chain of iron around it’s throat. For as long as it was kept alive – if you could call such a fate a life – it spread The Great Cogs’ propaganda of happiness and freedom, with a look of ice cold death in her crystal clear eyes. The ancient and venerable elders of China were also ‘blessed‘ by It with the chain of iron, and they built enormous mechanical things where there were farmers and massive fields full of grain before. The Imam of Mecca became where he had once spread his light a great slaver. In Arabia where there once lived free and independent people – without mechanical blessings – there were other machines created and were slowly built into The Machine. In East and West The Great Maker of Chains with it’s bishops and priests ruled those who were once human and made them create even bigger cogs, as to incorporate lesser machines into It. Mechanical men, robots of flesh and blood who were all servants of It.

How would you avoid The Machine when everyone willingly had put it’s chains upon their necks? How would you go against the teachings of it’s bishops and priests without getting excommunicated for life? Technically they are right, aren’t they? With plastic tubes The Machine pumps blood into our veins, everywhere we tread. Now we no longer required food, for the blood nourishes us all. How would we even survive without it? All of us are the seed of The Machine, now we’re brothers and sisters with everyone, everywhere. Now none is a stranger to us for our blood is not our own and our brethren’s blood is the very blood that our decaying hearts pump trough our body.

Under the watchful eye of The Machine there were no longer wars, violence or famine. Under the watchful eye of The Machine we could all go home after eight hours of worship and rest in ease and security. Under the watchful eye of The Machine we too would be educated by It’s priests in the teachings of the cog. Thank you, dear Machine. Under your rule we have finally accomplished equality and wealth. How could any reactionaries or machinophobic forces go against our Utopia? We thank you, dear Machine, as we lay down in our dark, empty room with a smile on our face.

The Machine had everything we could ever wish for. It had Arabic food and European medicine, it had Chinese products and American movies. With It’s cogs of love and tolerance it had grinded every imperfection to a holy elixir which was administered right into the plastic tubes with the holy blood. Now the air we breathed too was supplied by It, through white masks that covered half of our faces. It was so wonderful, so many vivid scents. Swedish summer and Indian lotus flowers, African incense and things not even I could name. Why would we ever remove our masks – to breathe in the blackened air? Folly, yet some did. They pointed on how the fields have been drenched with oil, how the lotus flowers have been eradicated and how little incense there were in the African huts.

By this stage the archbishops had finally finished yet another implant to bring us closer to It. Glasses, Occularium they called it. When placed upon our heads it drilled trough our skull and in our mind’s eye showed pornography of all the races of man. Some loved it while others had faint echoes of doubt, only to give in to their desire in the end. It showed the happy lives of everyone else that had been assimilated into It. Those who were given this gift worshiped The Machine even more than before, until eventually everyone wore them. Now we could all worship The Teachings of the Cog and The Machine all day, may one be priest or drone.

One day The Curia – the court of the Priests – gave us all implants upon our forehead with the mark of It. Oh the lust, the pleasure! It was like a thousand times stronger than the most pure heroine. An incomprehensible rush of flowers and honey throughout our body. No need for sleep or rest anymore, we needed only to remain still and mutter our prayers to It. Another day we got yet another implant that was said to give us eternal life. We would have eternal bliss as long as It’s cogs were spinning.

The years went and turned to decades. Some have committed the folly to remove their implants, their masks, the Occularium and the tubes with the holy blood. These few – these madmen – discovered a world where everything had been defiled and rotten. Upon the altar of The Machine the priests had sacrificed everything with meaning. With weapons they marched from the North to the South, from the East to the West to destroy the foul monstrosity their fathers had created. A war raged that plunged the world into chaos for two centuries where the machinophobes won and raised their flag over every destroyed tentacle and every disabled cog of It. It’s seed, the millions of children, were as a large collection of candles that were extinguished one after another, too weak to fight back. Bishops and priests – deacons and inquisitors. All those who had given It the world were hunted down and sacrificed upon the altar of Saturn. Every chain of iron was thrown into a pile that grew higher than the highest mountain.

In the abyss that was the current world the oil was slowly drained from the fields of grain. Out from the ashes, that was the time before the cog was invented, the bird Phoenix rose. A creature who’s wings of fire gave light to the world after the collapse of The Machine. Under it’s wingspan, wider than anything a mere man could create, we discovered the head of a demon due to it’s light. Mephistopheles.